This week’s blog question applies to my project in a couple
of interesting ways. The very nature of
oral history makes it difficult to preserve.
The act of transcribing it often alters its meaning, so simply writing
the interview down is an insufficient means by which to preserve it. Similarly, another issue that plagues oral
histories is that they are often difficult to access (by having to physically
go to a library or archive and listen to the recording there), and not readily
available to scholars or researchers who increasingly want to access resources
from their computers at home. So when
options for digital preservation (digital recording, uploading audio recordings
to the internet, etc.) became available, many were excited at the prospect of a
solution to some of the issues surrounding the preservation of oral
histories.
The Internet has facilitated access to oral
history recordings in a way that housing them at physical libraries could never
have hoped to achieve. According to one
oral history manual, “interviews will usually record more ‘visitors’ in a
single month on the Internet than in all the years they sat on archive shelves
combined” (Ritchie, 2003, p.80). However
every manual I’ve read for this project also cautions against using only virtual means for the presentation
and preservation of recordings. They all
stress the impermanence of websites and the speed at which digital recordings
deteriorate with each reproduction or change in file format. The Oral History Association in the US’s
website even states, in its Principles
and Best Practices that “the obsolescence of all media formats should be
assumed and planned for” (2009).
I had initially planned to use a website as the sole vehicle
for the presentation of my oral history project. I also hadn’t even planned to transcribe any
of the interviews, as I don’t believe that these kinds of stories would be as
effective if they are absorbed in written form. But after reading a number of cautionary
tales, I have opted to work into my research proposal plans to transcribe all
of the interviews and to donate the hard copies to the Toronto Public Library,
as apparently they’re always looking to expand their local history collections.
My research into the project’s legality and ethics has also
revealed to me that there exist a number of copyright issues surrounding oral
history recordings. The interviewer must
obtain a “deed of gift” that allows the interviewee to literally gift their
life story over to the interviewer, who then must outline how they intend to
use it. There are a number of
complicated clauses that can be exercised, some of which, for example, dictate
that the story might only be used after the interviewee’s death, or sometimes
might only be used up until the interviewee’s death. If the recording is going to be accessible in
perpetuity on a website, then a number of particular agreements must be
negotiated.
In terms of preserving the digital video recordings, I
unfortunately lack the web savvy to do anything so fancy as encoding data into
other web material, but the Oral History Association has developed a separate branch of its organization, dedicated to establishing digital
standards and practices. Their website, Oral History in the Digital Age, has a wealth of resources available that deal with the preservation of these
born-digital artifacts. They suggest things
like using open, standard file formats and codecs, to ensure that the files
will be accessible in the future (Van Malssen, 2012). For the purposes of this research proposal, I
will be adhering to all of the preservation criteria that they suggest.
References:
Principles
and Best Practices. (n.d.). Oral History Association. Retrieved November
21, 2013, from http://www.oralhistory.org/about/principles-and-practices/
Ritchie, D.
A. (2003). Doing oral history :
a practical guide. Oxford: Oxford University Press.
Van Malssen,
K. (2012). Digital video preservation and oral history. In D. Boyd, S. Cohen,
B. Rakerd, & D. Rehberger (Eds.), Oral history in the digital
age. Institute of Library and Museum Services. Retrieved fromhttp://ohda.matrix.msu.edu/2012/06/digital-video-preservation-and-oral-history/.
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